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・ Solange Bertrand
・ Solange Bibas
・ Solange Chaput-Rolland
・ Solange Charest
・ Solange d'Herbez de la Tour
・ Solange Fernex
・ Solange Gemayel
・ Solange Ghernaouti
・ Solange Gómez
・ Solange II
・ Solange Knowles
・ Solange Knowles discography
・ Solange Leben in mir ist
・ Solange Magalhães
・ Solange Magnano
Solange Michel
・ Solange Tagliavini
・ Solange Troisier
・ Solange Térac
・ Solange Wilvert
・ Solange Witteveen
・ Solangella
・ Solangella lachrymosa
・ Solangella meridana
・ Solangella micromacula
・ Solangi
・ Solanidine
・ Solanilla (Albacete)
・ Solanillos del Extremo
・ Solanin


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Solange Michel : ウィキペディア英語版
Solange Michel

Solange Michel (November 27, 1912 – December 15, 2010) was a French classical mezzo-soprano who sang in concerts, recitals, and operas from the 1930s to the 1970s. She was particularly associated with the French opera repertory and was one of the most popular interpreters of the title heroine in Georges Bizet's ''Carmen'' in post World War II France.〔(【引用サイトリンク】title=Solange Michel, 98, Incomparable Post-War Carmen, Has Died )
==Life and career==
Born Solange Boulesteix in Paris, Michel studied at the Conservatoire de Paris under Thomas Salignac and André Gresse. She began her career as a concert singer, giving her first performance on French Radio in 1936, and made her stage debut in 1942, as Charlotte in ''Werther''.
In 1945, she changed her name to Solange Michel and became a member of the Opéra-Comique where she debuted as Mignon. Shortly afterwards, she was invited to perform at the Opéra de Paris, and quickly established herself as the most important mezzo of her era. Her interpretation of Carmen is now widely regarded as a classic. Other notable roles included; Charlotte, Dalila in Camille Saint-Saëns's ''Samson et Dalila'', Geneviève in Claude Debussy's ''Pelléas et Mélisande'', Marguerite in Hector Berlioz's ''La damnation de Faust'', and Orfeo in Christoph Willibald Gluck's ''Orfeo ed Euridice''. She also participated in the premieres of Pierre Wissmer's ''Marion'' in 1951, and Gian Carlo Menotti's ''The Last Savage'' in 1963.
She made guest appearances at the Royal Opera House in London, at La Scala in Milan, the Teatro San Carlo in Naples, the Liceu in Barcelona, the Teatro Colón in Buenos Aires, also appearing in Amsterdam, Brussels, Madrid, Lisbon, etc.
Michel was also much admired as a recitalist, and made her last appearance in Besançon, in 1978.
She made a number of recordings, the most famous being ''Carmen'', opposite Raoul Jobin, and conducted by André Cluytens.

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